Terezie Nekvindová is an art historian working at the Academic Research Centre of the Academy of Fine Arts in Prague. In 2014, she received a PhD with her thesis on exhibition making in the 1960s. She specialises in modern and contemporary art and currently focuses on the exhibition histories and the history of curating in particular. She is the co-author of Výstava jako médium. České umění 1957–1999 (with Pavlína Morganová and Dagmar Svatošová, 2020), Stanislav Kolíbal. Former Uncertain Indicated (2019, Dieter Bogner and Adam Budak eds.), Automat na výstavu. Československý pavilon na Expo 67 v Montrealu (with Daniela Kramerová et al., 2017) etc.