{"id":5823,"date":"2014-09-26T09:14:56","date_gmt":"2014-09-26T08:14:56","guid":{"rendered":"https:\/\/vvp.avu.cz\/tym\/terezie-nekvindova\/"},"modified":"2022-09-07T10:39:53","modified_gmt":"2022-09-07T09:39:53","slug":"terezie-nekvindova","status":"publish","type":"page","link":"https:\/\/vvp.avu.cz\/en\/staff\/terezie-nekvindova\/","title":{"rendered":"PhDr. Terezie Nekvindov\u00e1, Ph. D."},"content":{"rendered":"<p>Terezie Nekvindov\u00e1 is an art historian working at the Academic Research Centre of the Academy of Fine Arts in Prague. In 2014, she received a PhD with her thesis on exhibition making in the 1960s. She specialises in modern and contemporary art and currently focuses on the exhibition histories and the history of curating in particular. She is the co-author of <em>V\u00fdstava jako m\u00e9dium. \u010cesk\u00e9 um\u011bn\u00ed 1957\u20131999<\/em> (with Pavl\u00edna Morganov\u00e1 and Dagmar Svato\u0161ov\u00e1, 2020), <em>Stanislav Kol\u00edbal. Former Uncertain Indicated<\/em> (2019, Dieter Bogner and Adam Budak eds.), <em>Automat na v\u00fdstavu. \u010ceskoslovensk\u00fd pavilon na Expo 67 v Montrealu<\/em> (with Daniela Kramerov\u00e1 et al., 2017) etc.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Terezie Nekvindov\u00e1 is an art historian working at the Academic Research Centre of the Academy of Fine Arts in Prague. In 2014, she received a PhD with her thesis on exhibition making in the 1960s. She specialises in modern and contemporary art and currently focuses on the exhibition histories and the history of curating in [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":5525,"menu_order":93,"comment_status":"closed","ping_status":"open","template":"","meta":{"inline_featured_image":false},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.6.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PhDr. Terezie Nekvindov\u00e1, Ph. 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