A conference reflecting on the historical legacy of conceptualism of the 1960s and 70s in current art theory and practice.<\/p>\n
The AVU Research Centre organises the 2nd annual conference on art theory.
\nThe conference took place on 26 and 27 May 2011 in the AVU DigiLab lecture theature (U Akademie 4).<\/p>\n
The adjective \u201cconceptual\u201d is one of the commonest used by Czech art criticism. However, it is not simply the neutral identification of means of expression, but connotes a certain understanding of the meaning of art that originates in the historical legacy of conceptualism of the 1960s and 70s. What, if anything, remains of its resonance today? What influence does conceptualism have on other artistic approaches? And how does it impact on the Czech and Slovak art scenes. How should we understand the term post\/neo-conceptualism?<\/p>\n
Programme:<\/p>\n
Thursday, 26 May<\/p>\n
9.55 Conference commences<\/p>\n
10.00\u201311.00 Karel C\u00edsa\u0159 (V\u0160UP, Institute of Philosophy of the Academy of Science, Prague): \u201cPhotography after conceptual photography\u201d<\/p>\n
11.00\u201312.00 V\u00e1clav Jano\u0161\u010d\u00edk (V\u0160UP, Praha): \u201cThe art of the supplement. Derrida in the criticism and theory of Rosalind Krauss and Craig Owens\u201d<\/p>\n
12.00\u201313.00 Jana Ger\u017eov\u00e1 (Research Centre, V\u0160VU, Bratislava): \u201cPainting after the concept\u201d<\/p>\n
13.00\u201314.30 Break<\/p>\n
14.30\u201315.30 Petr Ko\u0165\u00e1tko (Institute of Philosophy of the Academy of Science, Prague): \u201cThe conceptual artwork (radical conceptualism in literature)\u201d<\/p>\n
15.30\u201316.30 Kamil N\u00e1b\u011blek (Technical University, Liberec): \u201cThe conservative language of conceptualism\u201d<\/p>\n
16.30\u201317.00 Break<\/p>\n
17.00\u201318.00 V\u00e1clav Kr\u016f\u010dek (www.krucekvaclav.com): \u201cThe dematerialisation of art\u201d<\/p>\n
18.00\u201319.00 Nina Vrbanov\u00e1 (FF UKF, Nitra): \u201cPublic privacy as a model of the neo-conceptual thematisation of art\u201d<\/p>\n
Friday, 27 May<\/p>\n
10.00\u201311.00 V\u00edt Havr\u00e1nek (tranzit.cz): \u201cA historical excursion\u201d<\/p>\n
11.00\u201312.00 Daniel Gr\u00fa\u0148 (V\u0160VU, Bratislava): \u201cThe artist\u2019s archive as a parallel institution. The case of J\u00falius Koller\u201d<\/p>\n
12.00\u201313.00 Johana Lomov\u00e1 (V\u0160UP, Praha): \u201cOlga Karl\u00edkov\u00e1 as a conceptual artist\u201d<\/p>\n
13.00\u201314.30 Break<\/p>\n
14.30\u201315.30 Beata Jablonsk\u00e1 (Research Centre V\u0160VU, Bratislava): \u201cArt in conflict. Critical art in Slovakia, or on the difficult path from the world home\u201d<\/p>\n
15.30\u201316.30 Jan Z\u00e1le\u0161\u00e1k (PF MU, Brno): \u201cThe critical point. Finding the social turn in Czech art\u201d<\/p>\n
16.30\u201317.00 Break<\/p>\n
17.00\u201318.00 Alexandra Tam\u00e1sov\u00e1 (FF TU, Trnava): \u201cAnd the word became flesh. A contribution to the relationship between conceptual art and the body of art\u201d<\/p>\n
18.00\u201319.00 Michal Kole\u010dek (University J. E. Purkyn\u011b, \u00dast\u00ed n. L.): \u201cDisturbed balance. The \u00dast\u00ed nad labem neo-conceptual school of the 1990s\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"
A conference reflecting on the historical legacy of conceptualism of the 1960s and 70s in current art theory and practice. The AVU Research Centre organises the 2nd annual conference on art theory. The conference took place on 26 and 27 May 2011 in the AVU DigiLab lecture theature (U Akademie 4). The adjective \u201cconceptual\u201d is […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false},"categories":[60],"tags":[],"acf":[],"yoast_head":"\n